Coronations in Painting: 12 Works and Their Edits

Coronations in painting are the most expensive lies ever commissioned. David painted Napoleon crowning Josephine and moved his boycotting mother into the front row, Rubens invented a whole mythology for a queen nobody liked, and one English coronation portrait was painted from a dress on a mannequin.

Napoleon crowning Josephine
Jacques Louis David, The Coronation of Napoleon, 1807, Louvre

The ceremony, and the edits

  • One ten metre canvas contains roughly 200 portraits and at least three deliberate falsifications.

  • One emperor crowned himself, and the painter quietly changed the moment shown.

  • One queen commissioned 24 canvases turning her ordinary life into mythology.

  • One coronation portrait was painted without the sitter, using her robes on a dummy.

  • And one crown in these pictures was made specially because the old one had been melted down.


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1 | The Coronation of Napoleon, Jacques Louis David (1807)

Ten metres wide, around 200 identifiable figures, painted over three years with a model of the cathedral built in the studio.

Napoleon’s mother sits in the tribune although she boycotted the ceremony entirely. More on the painter in Jacques Louis David.

2 | The moment David decided not to paint

Napoleon took the crown from the pope and crowned himself. David first sketched exactly that, then changed the scene to the softer moment where Napoleon crowns Josephine.

The most famous coronation painting in the world shows the second best moment on purpose.

3 | The Marie de Medici cycle, Peter Paul Rubens (1625)

Allegorical royal arrival scene
Peter Paul Rubens, from the Marie de Medici cycle, 1625

Twenty four enormous canvases turning a disliked queen’s life into mythology, complete with gods attending her birth and her landing in France.

It is the most sustained piece of painted public relations in European art, now filling a room in the Louvre.

4 | Elizabeth I, the Coronation Portrait

Queen in cloth of gold
Elizabeth I in coronation robes, after a lost original

The queen in cloth of gold, holding orb and sceptre, hair loose in the medieval manner reserved for coronations and weddings.

The surviving version is an early seventeenth century copy of a lost original. The image everyone knows is a reproduction. More royal staging in famous paintings of kings and queens.

5 | Charlemagne, crowned retrospectively

Charlemagne crowned by the pope
The Coronation of Charlemagne, Raphael workshop, Vatican

Renaissance and later painters kept restaging the coronation of Charlemagne in 800, each version dressing him in the fashion of the painter’s own century.

Every empire that wanted legitimacy repainted that scene, which tells you what coronation pictures are for.

6 | The crown that had to be remade

England melted down its medieval regalia in 1649 after the execution of Charles I. New crowns were made for the restoration in 1661, which is why coronation paintings before and after show different objects.

The paintings are dated by the metalwork as much as by the faces.


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7 | Louis XIV in coronation robes, Rigaud (1701)

Louis XIV in coronation robes
Hyacinthe Rigaud, Louis XIV, 1701, Louvre

Not a coronation scene but the outfit, worn at 63, with ermine, fleur de lys and the legs of a former ballet dancer on display.

He liked it so much he kept it instead of sending it to Spain as intended.

8 | Queen Victoria, painted at 19

Young queen in coronation robes
Queen Victoria at her coronation, 1838

The coronation of 1838 lasted five hours, a ring was forced onto the wrong finger, and an elderly peer fell down the steps. None of that appears in the paintings.

Victoria recorded it all in her diary, which is the only reason we know.

9 | The empty throne and the interregnum

Between a death and a coronation, painters were sometimes commissioned to show the regalia alone on a cushion, a portrait of an office without a person.

The crown does the work when there is no head to wear it.

10 | The Consecration of the Emperor and the pope who came anyway

Pius VII travelled to Paris expecting to crown Napoleon and instead sat and watched. In David’s painting he is shown raising his hand in blessing, a gesture added at Napoleon’s request.

One raised hand turns a humiliation into an endorsement.

11 | Coronations in the Byzantine world

Byzantine mosaics show Christ himself placing the crown, removing any human authority from the transaction entirely.

It is the same argument as David’s, made a thousand years earlier and with more confidence. The tradition is in what is byzantine art.

12 | The mannequin portrait

Court painters routinely worked from robes arranged on a dummy, since monarchs rarely sat for the hours a full length required.

The face was painted from life in one or two sittings. Everything below the neck is a still life.

Crowning scenes, quick questions

  • Did Napoleon crown himself? Yes, he took the crown from the pope and placed it on his own head. David sketched that and then painted the moment he crowns Josephine instead.

  • How many people are in David’s coronation? Around 200 identifiable figures, painted over three years with a scale model of the cathedral in the studio.

  • Was Napoleon’s mother present? No. She boycotted the ceremony and David painted her into the tribune anyway, at Napoleon’s instruction.

  • Why was the English regalia remade? The medieval crowns were melted down in 1649 after the execution of Charles I. New ones were made for 1661.

  • Which museums hold them? The Louvre for David and the Marie de Medici cycle, Versailles for Rigaud, London for the Tudor portraits.

The detail that says the most: David painted himself into the upper gallery of the coronation, sketching. The man hired to record the ceremony gave himself a seat at it, which is exactly the same move Napoleon made with the crown.

Court images and regalia are catalogued at the Met and the Rijksmuseum.


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