Famous Volcano Paintings: 12 Eruptions on Canvas

The most famous volcano paintings include 30 Vesuvius eruptions by one obsessed Englishman and the red sky that may hide inside The Scream. Twelve eruptions on canvas, and a painter who lost a leg to the volcano he was painting.

Crowd fleeing erupting Vesuvius
Karl Bryullov, The Last Day of Pompeii, 1833

Eruption schedule

  • One painter returned to Vesuvius roughly 30 times without ever seeing a major eruption.

  • One canvas about Pompeii made Russians queue for hours in 1834.

  • The most painted volcano in history is dormant, Japanese and perfectly symmetrical.

  • Krakatoa’s ash turned skies red worldwide in 1883, and painters recorded it without knowing why.

  • And one artist set up his easel beside a brand new volcano and stayed until it took his leg.


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1 | Vesuvius from Portici, Joseph Wright of Derby (about 1775)

Vesuvius erupting with moonlight
Joseph Wright of Derby, Vesuvius from Portici, about 1775

Wright visited Naples in 1774, missed the big eruption, and painted Vesuvius exploding anyway, about 30 times over the rest of his life.

He paired glowing lava with cool moonlight in the same picture, his signature experiment: two kinds of light, one canvas.

2 | The Last Day of Pompeii, Karl Bryullov (1833)

Lightning splits the sky, statues topple, and the crowd of Pompeii runs at us. Bryullov visited the excavations and put real casts and streets into the panic.

Shown in Rome and Saint Petersburg, it made him the first Russian painter with European fame. Walter Scott reportedly sat before it for an hour.

3 | The Eruption of Vesuvius, Pierre Jacques Volaire (1771)

Night eruption with onlookers
Pierre Jacques Volaire, The Eruption of Vesuvius, 1771

Volaire moved to Naples and made erupting Vesuvius his entire career, selling night views to Grand Tour travelers as the ultimate souvenir.

Tourists actually climbed the erupting mountain with guides, and Volaire painted them there, silhouetted against the lava like sightseers at the end of the world.

4 | Cotopaxi, Frederic Edwin Church (1862)

An Ecuadorian volcano smokes across a sunrise painted during the American Civil War, and audiences read the burning sky as the war itself.

Church traveled the Andes following the routes of the scientist Humboldt. The painter of continental spectacles is in my guide to Frederic Edwin Church.

5 | The Great Day of His Wrath, John Martin (about 1852)

Apocalyptic collapsing mountains
John Martin, The Great Day of His Wrath, about 1852, Tate

Mountains fold over a collapsing city in the most apocalyptic canvas of the Victorian age. Martin toured it like a cinema attraction.

His brother reportedly called the Black Country’s industrial furnaces a vision of hell, and Martin painted the geology to match. Tate holds it.

6 | Red Fuji, Katsushika Hokusai (about 1831)

Red Mount Fuji print
Katsushika Hokusai, Red Fuji, about 1831

The most painted volcano on earth is a dormant one. Hokusai’s 36 views made Fuji a national icon, and Red Fuji caught it blushing at dawn.

The mountain last erupted in 1707, and Edo lived under its ash memory. The print empire built on one peak is in the true story behind Hokusai’s Great Wave.


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7 | The Krakatoa skies (1883 to 1884)

When Krakatoa exploded in 1883, its ash circled the planet and sunsets burned red for months, from London to Oslo. Painters everywhere recorded skies they could not explain.

William Ascroft alone made hundreds of pastel studies of the Chelsea sunsets, now kept as scientific documents.

8 | The sky of The Scream, Edvard Munch (1893)

Some scientists argue the blood red sky Munch remembered over Oslo was a Krakatoa sunset he had seen a decade before painting it.

Others point to clouds of mother of pearl. Either way, a real sky sat behind the most famous anxiety in art: the full story is in why Munch painted The Scream.

9 | The Eruption of the Soufriere Mountains, JMW Turner (1815)

Night volcano eruption Turner
JMW Turner, The Eruption of the Soufriere Mountains, 1815

Turner painted a Caribbean volcano exploding at night without leaving England, working from a sketch by an eyewitness plantation manager.

The same year, Tambora erupted in Indonesia and dimmed the world’s skies, feeding the sunsets Turner would chase for decades. The sky addict is in my guide to JMW Turner.

10 | The Summit of Vesuvius Erupting, Michael Wutky (about 1780)

The Austrian Wutky actually climbed to the crater with the naturalist Sir William Hamilton’s circle and painted the boiling summit from arm’s length.

His crater scenes are as close to plein air volcanology as the 18th century got.

11 | Vesuvius, Andy Warhol (1985)

A year before his death, Warhol screen printed Vesuvius in pop pinks and oranges for a Naples exhibition, treating the volcano like a celebrity portrait.

Naples loved it: the mountain that defines the city, given the Marilyn treatment. One version hangs in the Capodimonte museum.

12 | Paricutin, Dr Atl (1940s)

In 1943 a volcano was born in a Mexican cornfield. The painter Dr Atl moved beside it and painted its growth for years, eruption by eruption.

He lost a leg to circulation problems worsened by the volcanic terrain and kept painting from a cabin on the slopes. Nobody in history painted a volcano’s entire life before him.

Volcanoes on canvas, quick answers

  • What is the most famous volcano painting? Bryullov’s Last Day of Pompeii for drama, Hokusai’s Red Fuji for icon status.

  • Did painters really climb erupting volcanoes? Yes. Naples guides took tourists and painters partway up active Vesuvius, and Wutky painted at the crater.

  • Is The Scream sky really Krakatoa? It is a serious hypothesis, published by astronomers in 2004, but clouds of mother of pearl are a rival explanation.

  • Why did Wright of Derby paint Vesuvius 30 times? The subject sold, and it let him stage his obsession: hot and cold light in one frame.

  • Where can I see these paintings? Tate for Martin and Turner, the Russian Museum for Bryullov, and Naples for Volaire and Warhol.

One closing fact: the year without a summer that followed Tambora’s 1815 eruption kept Mary Shelley indoors on Lake Geneva, where she wrote Frankenstein. The same ash that ruined harvests gave painters three years of impossible sunsets.


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