Hats in Art: 12 Famous Paintings

Hats in painting are rank, religion and disguise in a few square inches of felt. Twelve famous hats, from the red turban Jan van Eyck may have worn himself to the bowler that Magritte used to hide a face, plus the straw hat that made a painter’s fortune.

Man in folded red headdress
Jan van Eyck, Portrait of a Man in a Red Turban, 1433

Hat check

  • One red headdress is probably the first true self portrait in Western painting.

  • One straw hat was borrowed from a Rubens painting a century and a half later.

  • One doge wears a hat shaped like a horn, and the shape was law.

  • One bowler hat appears in dozens of pictures and never once shows the face behind it.

  • And one funnel hat marks its wearer as the biggest fool in the room.


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1 | Portrait of a Man in a Red Turban, Jan van Eyck (1433)

A man in a folded red headdress looks directly out, which sitters almost never did. The frame carries van Eyck’s motto: as I can.

Most scholars think it is the painter himself, which would make it the earliest known Western self portrait on panel. He is in my guide to Jan van Eyck.

2 | Portrait of Susanna Lunden, the Straw Hat, Rubens (about 1625)

Woman in wide brimmed hat
Peter Paul Rubens, Portrait of Susanna Lunden, about 1625

The hat is felt, not straw, and the title has been wrong for centuries. What matters is the shadow it throws across her eyes, which nobody had painted that softly before.

Elisabeth Vigee Le Brun saw it in Antwerp in 1782 and immediately painted herself in the same hat. Her version is in laughter in painting.

3 | The Doge Leonardo Loredan, Giovanni Bellini (about 1502)

Doge in horned cap
Giovanni Bellini, The Doge Leonardo Loredan, about 1502

The doge wears the corno ducale, a stiff horned cap worn over a linen cap, the exact shape prescribed for the ruler of Venice.

Bellini painted the fabric buttons so precisely you can count the threads. The founder of Venetian painting is in my guide to Giovanni Bellini.

4 | Self Portrait with Grey Felt Hat, Vincent van Gogh (1887)

Van Gogh in felt hat
Vincent van Gogh, Self Portrait with Grey Felt Hat, 1887

Paris changed his palette: the hat sits in a halo of blue and orange strokes radiating out from the head like a magnetic field.

He painted more than 35 self portraits in about four years, mostly because he could not pay models. He is in my guide to Vincent van Gogh.

5 | The Son of Man, Rene Magritte (1964)

A man in a bowler hat with a green apple hovering where his face should be. Magritte said everything we see hides another thing, and we always want to see what is hidden.

The bowler man appears across dozens of his paintings, always anonymous, always the same uniform.

6 | The Extraction of the Stone of Madness, Hieronymus Bosch (about 1494)

The surgeon operating on a peasant’s skull wears an upturned funnel on his head. In Netherlandish imagery, a funnel hat marks a quack or a fool.

The hat tells you the operation is fraud before you read a word. More of these frauds are in doctors and medicine in painting.


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7 | Napoleon in His Study, Jacques Louis David (1812)

Napoleon standing bicorne nearby
Jacques Louis David, Napoleon in His Study, 1812

The bicorne hat sits on the chair beside him, worn sideways in his signature style so troops could recognize him across a battlefield.

Napoleon owned roughly 120 of them. One sold at auction in 2014 for about 1.9 million euros. His image maker is in my guide to Jacques Louis David.

8 | At the Moulin Rouge, Henri de Toulouse Lautrec (1892)

Nightclub scene with hats
Henri de Toulouse Lautrec, At the Moulin Rouge, 1892

Top hats mark the men, feathered creations mark the performers, and the whole social map of a Paris nightclub can be read from headwear alone.

Lautrec sat in that room most nights for years. He is in my guide to Toulouse Lautrec.

9 | Madame Moitessier, Ingres (1856)

No hat, but the most calculated hair ornament in painting, and the pose is lifted from an ancient Roman wall painting at Herculaneum.

Ingres took twelve years to finish it. The perfectionist is in my guide to Ingres.

10 | The Fifer, Edouard Manet (1866)

Boy soldier in red cap
Edouard Manet, The Fifer, 1866, Musee d’Orsay

A boy soldier in a flat red cap stands against nothing at all: no floor, no wall, just grey. The Salon rejected it that year.

Manet had just come back from Spain and Velazquez. He is in my guide to Edouard Manet.

11 | Portrait of a Man, called The Man with the Golden Helmet (about 1650)

Soldier in golden helmet
Circle of Rembrandt, The Man with the Golden Helmet, about 1650

For a century Berlin’s most beloved Rembrandt: an old soldier in a helmet of thick gold impasto. In 1985 scientific study concluded it was painted in his circle, not by him.

Attendance dropped after the announcement. The helmet did not change, only the label. The workshop question is in my guide to Rembrandt.

12 | Girl with a Pearl Earring, Johannes Vermeer (about 1665)

Girl in blue yellow turban
Johannes Vermeer, Girl with a Pearl Earring, about 1665

The blue and yellow turban is not Dutch dress at all. It is a costume, which makes the picture a tronie, a study of a type rather than a portrait of a person.

That distinction changes who she is: what is a tronie. And the painter of that turban is in my guide to Vermeer.

Both the National Gallery and the Met let you zoom close enough to see how the felt was painted.

Hats on canvas, quick answers

  • What is the most famous hat in art? The bowler in Magritte’s Son of Man, with van Eyck’s red turban as the historic answer.

  • Is the Man in a Red Turban a self portrait? Probably. The direct gaze and the motto on the frame point to van Eyck himself, though it is not proven.

  • Why is Rubens’ Straw Hat not straw? It is felt. The wrong title stuck from an early inventory and nobody has managed to remove it since.

  • What kind of hat does the Doge wear? The corno ducale, a horned cap whose shape was fixed by Venetian custom for the head of state.

  • Where can I see these paintings? The National Gallery in London for van Eyck, Rubens and Bellini, the Mauritshuis for the Girl, Berlin for the Golden Helmet.

One closing fact: when Vigee Le Brun copied Rubens’ hat in 1782, she wrote that the effect came from painting in open daylight rather than studio light. One borrowed hat changed how she lit every portrait afterward.


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