What Does Thomas Cole's The Course of Empire Show?

The Course of Empire is a series of five paintings by the American landscape painter Thomas Cole, made between 1834 and 1836 for the New York merchant Luman Reed. All five return to one bay and one valley, recognizable by a boulder balanced on top of a steep crag.

In order, the paintings are The Savage State, The Arcadian or Pastoral State, The Consummation of Empire, Destruction and Desolation. Across them, a wilderness at dawn becomes farmland, then a marble city at noon, then a city in flames, and at last a field of ruins under the rising moon.

Cole meant the cycle as a warning about how civilizations rise and fall, and it made him famous when New Yorkers first saw it in 1836. The five canvases are kept together today at the New York Historical, the museum on Central Park West in Manhattan.

Five landscape paintings arranged on a white ground, two on the left, a larger city scene in the center and two on the right, showing the same bay from wilderness to ruins.
Thomas Cole, The Course of Empire, 1834 to 1836, the five paintings arranged as Cole planned them. New York Historical, New York.

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What are The Course of Empire paintings in order?

An ink sketch of a wall with five framed scenes arranged around a fireplace.
Thomas Cole, Installation Diagram for The Course of Empire, 1833. Detroit Institute of Arts.

In 1833, Thomas Cole drew a small ink sketch of a single wall for a New York merchant, with a fireplace in the middle and five frames arranged around it…


What You'll Discover

  • Why one boulder appears in all five paintings

  • The hidden hunter coming back through the paint

  • Who some historians see in the red cloak

  • Why Cole cut a skeleton from the last scene

  • What the patron never lived to see


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