Viking Art: 12 Works and the Stories Behind Them

Viking art is almost never a painting. It is the decoration Scandinavian craftsmen cut, cast and inlaid on things people used: weapons, boats, gaming pieces, memorials to the dead. Nearly all of it is crowded with beasts that coil around one another and bite. A few pieces set the old gods beside Christ, and one face with sewn lips sat in front of a smith's bellows.

Weathered dark wooden planks carved with long, thin animals and snakes whose bodies loop around and bite one another in large, open curves.
Unknown woodcarvers, The North Portal of Urnes Stave Church, 11th century. Urnes Stave Church, Ornes, Norway. Image: Bjørn Erik Pedersen, CC BY-SA 4.0, via Wikimedia Commons.

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What the Makers Left Behind

The Viking Age is usually dated from 793, when raiders attacked the monastery of Lindisfarne, off the coast of England. Its decoration was still being made in Scandinavia around 1125.

Over those three centuries the Scandinavians became Christian, but the stories of the old gods did not vanish from their work all at once.

The makers left no names. They worked in wood and iron, in several kinds of rock, in gilded metal and in ivory. They worked in Norway, Denmark and Sweden, and in the parts of England where Scandinavians had settled.

Each of the twelve works was chosen for something it still shows about the people who made it: a myth they told, the way they buried their dead, or a change of faith. Eleven were made during the Viking Age, and one in the Norwegian kingdom that followed it. None is a modern painting of Vikings.


12. The Snaptun Stone (about 1000)

Short lines cross the lips of the face carved on this flat stone, and they are stitches. Someone has sewn the man's mouth shut. The stone is a piece of soapstone from Norway or Sweden, and it turned up on a beach at Snaptun, on Horsens Fjord in Denmark, in 1950.

It was made for a forge. On the back, a hole with a raised rim took the nozzle of a bellows, and a Viking smith set the stone in front of his fire to blow air through it.

The face is probably Loki's, one of the Norse gods. His mouth is sewn shut in a story told by Snorri Sturluson, a 13th century writer who set down several of the old Norse myths.

In it, Loki bets his head with a dwarf named Brokk that Brokk's brother, Sindri, cannot make three treasures as fine as the ones other dwarves have just forged.

Brokk works the bellows while his brother forges, and a fly stings his hand, then his neck, then the spot between his eyes. With blood running into his eyes, he lets go for a moment, and the god Thor's hammer comes out of the fire with a handle that is too short. The gods give the victory to the dwarf all the same.

The story never says that the fly is Loki, though it is easy to take it for him. When Brokk comes to collect, Loki argues that his head belongs to the dwarf but his neck does not. So Brokk gives up on the head, pierces Loki's lips with his brother's awl and sews his mouth shut.

On the Snaptun stone, the air from the bellows came out through a small hole just below that sewn mouth.

At a Glance

  • Artist: Unknown Viking Age smith or carver

  • Made: About 1000, found in Denmark

  • Medium: Soapstone (steatite) from Norway or Sweden

  • Size: 20 × 24.5 × 7.5 cm (7 7/8 × 9 5/8 × 3 in)

  • Where to see it: Moesgaard Museum, near Aarhus, Denmark


11. The Ramsund Carving (11th century)

A long band carved into a flat rock face, filled with runes and curling into a serpent, with small human figures, a horse and a tree among its loops.
Unknown rune carver, The Ramsund Carving, 11th century. Ramsundsberget, near Eskilstuna, Sweden. Image: Pbuergler, CC BY-SA 4.0, via Wikimedia Commons.

On a flat stretch of rock in Sweden, a small figure sits beside a fire with his thumb in his mouth. Over the flames, on a spit, roasts the heart of a dragon he has just killed.


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