What Is Ekphrasis?

Ekphrasis is a vivid written description of a work of art, so detailed that the reader can almost see the image through the words alone. It is the point where writing tries to do what painting does.

A poem that makes you see a painting you have never seen. That is ekphrasis.

It is one of the oldest moves in literature, and it starts with a shield.

Ekphrasis in brief

  • What it is: a written description of a visual artwork.

  • The word: Greek, meaning to describe in full.

  • The first famous case: the shield of Achilles in Homer's Iliad.

  • The aim: to recreate an image, real or imagined, in words.

  • Famous example: Keats and his Grecian urn.


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It begins with a shield

The oldest celebrated example is in Homer's Iliad, where the poet spends dozens of lines describing every scene worked into the shield of Achilles.

The shield is imaginary, yet the writing is so concrete that readers have pictured it for nearly three thousand years.

That is the magic of ekphrasis: the artwork may not exist, but the description gives it a life of its own.

When poets stand in front of paintings

Later writers turned to real works. John Keats gazed at an ancient vase and wrote Ode on a Grecian Urn, freezing its dancers forever.

W. H. Auden looked at Bruegel's fall of Icarus and wrote Musee des Beaux Arts, about how the world ignores a private tragedy.

Ekphrasis is close to the work of iconography, which reads the meaning hidden in an image. One decodes the picture, the other rebuilds it in language.

Common questions about ekphrasis

  • What is ekphrasis? A vivid written description of a work of art.

  • Where does the word come from? Greek, meaning to describe fully.

  • What is the earliest famous example? The shield of Achilles in Homer's Iliad.

  • Does the artwork have to be real? No. It can be real or entirely imagined.

  • Why does it matter? It is where literature and visual art meet and feed each other.


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Words reaching for an image

Ekphrasis is a kind of friendly rivalry between the writer and the painter. The poet cannot use color or line, only language, and yet at its best the description burns the image into your mind more sharply than the painting itself.

It is art describing art, and refusing to lose.


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