What Is Vanitas?

Steenwijck vanitas still life with skull
Harmen Steenwijck, An Allegory of the Vanities of Human Life, around 1640 (National Gallery, London)

A vanitas is a kind of still life packed with symbols of death and the passing of time, a skull, a guttering candle, an hourglass, wilting flowers, to remind the viewer that life is short, pleasure fades, and worldly things do not last. It is a moral message disguised as a beautiful arrangement of objects.

It looks like a luxurious display.

It is really a quiet warning.

Vanitas in one look

  • What it is: a still life full of symbols of death and time.

  • The message: everything you own and enjoy will pass.

  • The props: skull, candle, hourglass, soap bubbles, dead flowers, books.

  • The home: the Dutch Republic of the 1600s.

  • The name: from a line in the Bible, vanity of vanities.

A sermon made of objects

A vanitas does not preach in words. It preaches in things.

Every object is a coded message. A skull is death. A snuffed candle and a watch are time running out. Wilting flowers and rotting fruit are decay. Books and instruments are the vanity of human learning. Coins and jewels are wealth you cannot keep. Arrange them on a table, paint them with dazzling skill, and you have a sermon anyone can read.

The trick is that the painting is gorgeous. You are seduced by the very luxury it tells you to renounce.

Where the word comes from

The name carries the whole idea.

It comes from the Latin opening of a verse in Ecclesiastes, vanitas vanitatum, vanity of vanities, all is vanity. Here vanity does not mean conceit. It means emptiness, the way everything earthly slips through your fingers. The genre flowered in the strict Protestant culture of the seventeenth century Dutch Republic, the same world that produced the great still life.

A rich, trading, worldly society painting reminders not to love the world too much. That tension is the genre.

Pieter Claesz vanitas with skull and candle
Pieter Claesz, Vanitas Still Life, 1630 (skull, candle and overturned glass)

The bubble and the skull

Two objects say it best.

The skull is obvious, death staring out from the table. The soap bubble is subtler. A bubble is perfect, shining, and gone in a second, and Dutch painters loved the old phrase homo bulla, man is a bubble. A child blowing bubbles in one of these pictures is not being cute. It is the shortest possible statement that you, too, will pop.

Beauty and disappearance in the same fragile sphere.

Light doing the talking

The mood depends on how it is lit.

Many vanitas pictures use deep shadow and a single fall of light, the tenebrism that pulls a skull or a flame out of the dark. The light itself becomes part of the message, brief, precious, surrounded by night. It is the difference between a catalogue of objects and a meditation.

The best of them feel less like a genre painting and more like a held breath.

David Bailly self portrait with vanitas symbols
David Bailly, Self Portrait with Vanitas Symbols, 1651 (bubbles, skull and portraits)

You can see two of the best in person. Steenwijck’s Allegory of the Vanities hangs in the National Gallery in London, and the Rijksmuseum holds a vanitas with a laurel crowned skull.

Common questions about vanitas

  • What is a vanitas? A still life filled with symbols of death and time, meant to remind you that life is short.

  • What do the symbols mean? Skull is death, candle and hourglass are time, wilting flowers and fruit are decay, jewels and coins are fleeting wealth.

  • Where does the word come from? From the Latin of Ecclesiastes, vanitas vanitatum, vanity of vanities.

  • When and where was it popular? Above all in the Dutch Republic in the 1600s.

  • Is it the same as memento mori? Closely related. Memento mori means remember you must die. A vanitas is a still life that delivers that idea through objects.

The most beautiful way to be told you will die

There is a strange generosity in a vanitas.

It does not frighten you. It seats you in front of a glowing skull, a half peeled lemon, a watch ticking in candlelight, and lets the splendor make the point. You are meant to enjoy it, and then to feel, very gently, the floor of time shift under your feet. Few genres are so honest about what they want from you, and so lovely while they say it.